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Netflix Isn't As Disruptive As You May Think

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Conventional wisdom has it that Netflix (NASDAQ: NFLX) is a major disruptive influence on all aspects of the movie businesses. Many say that the streaming service, which now has over 137 million subscribers, is pulling customers from traditional film purveyors -- studios, distributors, and cinemas alike.

However, a recently issued report finds that it isn't upending the exhibition segment. This research is backed up by outside data, which demonstrate that those other segments are resisting disruption, too.

A man on a sofa sits with an open-mouthed expression of surprise, as the food in his bowl flies into the air.
A man on a sofa sits with an open-mouthed expression of surprise, as the food in his bowl flies into the air.

Image source: Getty Images.

Watching the watchers

The report, from analysts at Ernst & Young, was commissioned by a film exhibition lobbying group called the National Association of Theater Owners. It found that streaming services don't draw business away from movie theaters but that the two are complementary. Put directly, the more a person watches films in cinemas, the more that person streams movies and TV.

The data, drawn from 2,500 respondents, paints a clear picture. This is how it broke down. The top row indicates the number of visits to a movie theater in the preceding 12 months, while the left column shows the mean number of hours a respondent devoted to streaming entertainment per week.

Time Spent Streaming Per Week

Movie Theater Visits, Past 12 Months

1 to 2 visits

3 to 5 visits

6 to 8 visits

9 or more visits

1 to 3 hours

39%

30%

18%

15%

4 to 7 hours

28%

33%

30%

26%

8 to 14 hours

18%

20%

26%

28%

15 hours or more

15%

18%

26%

31%

Data sources: National Association of Theater Owners, Ernst & Young.

Note how the highest figures, the ones above 30%, tend to occur when the correlation is fairly direct -- including lots of movie theater visits and many hours of streaming.

Meanwhile, in pure dollar terms, the film business is doing extremely well. Total worldwide box office receipts for 2018 will notch a new all-time record at nearly $42 billion, according to comScore, driven by robust 7% year-over-year increase in U.S. theaters.

Although there are several mitigating factors -- a high concentration of grosses at the very top of the most-popular list, for one, and the nearly instant success of AMC Entertainment's (NYSE: AMC) Stubs A-List subscription program, for another -- such a growth rate shows that Americans remain serious movie geeks.

Consequently, times are generally good for producers -- and distributors, too.

For example, one wearer of both hats, Walt Disney's (NYSE: DIS) studio entertainment (i.e., movie) division, delivered a strong 19% year-over-year revenue increase in the company's fiscal 2018. It managed to do so despite a few high-budget flops -- A Wrinkle in Time and The Nutcracker and the Four Realms, to name two, did not benefit from the Disney touch.